How to be Your Own Literary Agent: The Business of Getting a Book PublishedHoughton Mifflin Company, 1996 - 285 من الصفحات HOW TO BE YOUR OWN LITERARY AGENT is the most practical and thorough guide to book publishing for writers. Richard Curtis, a top literary agent for more than twenty-five years, provides a comprehensive overview of the publishing process, from submissions to contract negotiations to subsidiary rights to marketing and beyond. In this completely revised and expanded edition, Curtis takes into account the enormous changes in the publishing world over the past ten years. Included are new sections on what the electronic revolution means to you, and how to take advantage of it; the new breed of literary agents: how to find them and interest them in your work; how you can have a say in your book's design, cover art, jacket copy, and promotion; what author and agent organizations can do for you; how book chains and the superstores affect your chances of getting published; and why the American Booksellers Association convention is important to you. No other book provides such detailed and accessible information. For novices and veteran writers alike, HOW TO BE YOUR OWN LITERARY AGENT takes the mystery out of getting the best deal possible and ensuring happy publication. |
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الصفحة 100
... option clause be keyed to delivery of a detailed outline , or perhaps a detailed out- line and two or three chapters . When negotiating your option clause , it is important that you limit the time your publisher takes to consider your ...
... option clause be keyed to delivery of a detailed outline , or perhaps a detailed out- line and two or three chapters . When negotiating your option clause , it is important that you limit the time your publisher takes to consider your ...
الصفحة 101
... option remains in effect , and you are obliged to show your publisher your next work after the one that didn't sell to anybody . This is another safeguard against authors breaching the ... option work is rejected , your The Option Clause 101.
... option remains in effect , and you are obliged to show your publisher your next work after the one that didn't sell to anybody . This is another safeguard against authors breaching the ... option work is rejected , your The Option Clause 101.
الصفحة 102
... option clauses grant the publisher the right to your next work " on the same terms and conditions " as those paid on the pres- ent work , or on the same terms and conditions " except that the amount of the advance and the royalties shall ...
... option clauses grant the publisher the right to your next work " on the same terms and conditions " as those paid on the pres- ent work , or on the same terms and conditions " except that the amount of the advance and the royalties shall ...
المحتوى
An Agent Looks at the Market | 1 |
Slush | 10 |
Negotiation | 26 |
حقوق النشر | |
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50 percent advance advertising agent handles agreement auction authors and agents Authors Guild backlist bestseller list better book-club book's bookstores budget buyers CALIFORNIA/SANTA CRUZ catalogues chain store clients collaboration copies sold cost cover CRUZ The University deal deducted discount earn editions editor electronic expenses feel fiction film foreign genre genre fiction granted hardcover lawsuit license lisher literary agents magazine manuscript ment midlist months National Writers Union negotiating novel number of copies offer option clause packager paperback parties producer profit promotion provisions publication publisher's publishing contracts reprint reserve revenue Rolls-Royce Silver Spirit royalty statements sales reps science fiction sell Steven Spielberg stipulate story subject-author subsidiary rights television movie thing thors tion titles Tom Clancy tom line trade trade paperback University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/SANTA usually warranty writers